Mamma Mia Here We Go Again Donna Died
Universal Pictures
Mamma Mia! -- the 2008 movie based on the Broadway production -- didn't exactly necessitate a sequel. Sure, it was a large hit, and Hollywood isn't one to go out repeat money on the table. But the story that made up the jukebox musical was pretty thin to begin with, and the beginning picture covered most of ABBA'south hits. What's left for a substantial follow-upward?
Well, I'm happy to report that Mamma Mia! Here We Go Once again is utterly delightful, a little deranged, and an bodily comeback on its predecessor. How on Earth did this happen? Well, the creative team killed off Meryl Streep.
I know. Blasphemous. But true.
You could have guessed every bit much from the trailer, but I'm here to confirm information technology. Despite the fact that Streep appears prominently in the marketing materials, shortly after the motion-picture show opens nosotros discover that her irrepressibly energetic, overall-loving Donna Sheridan has passed away. Donna's romantic exploits were at the center of the original moving picture, in which her daughter Sophie (Amanda Seyfried) attempts to chase downwards her parentage to the beat of Swedish popular on the eve of her marriage.
Yous see, during one wild European summer, Donna had sex with 3 different men in a curt time frame, leaving open the question of just which hunk is the dad. In the original flick, Sophie goes ahead and invites all of those dudes to her wedding and in the end nothing is resolved, except for the fact that Donna gets dorsum together with Sam (Pierce Brosnan, trying his all-time when information technology comes to the whole singing thing).
Now, Donna is dead, and Sophie has refurbished the hotel on the tiny Greek island her mom and so dearly loved. Everyone is very distressing that Donna is gone -- including Sam who'due south even so hanging around, and Donna'southward pals Tanya (Christine Baranski) and Rosie (Julie Walters), a.k.a. the Dynamos. In that location are some tears shed, but life goes on.
That's considering writer-manager Ol Parker keeps things lively even with mourning in the background. He's well-primed to do so: Parker is best known for writing the All-time Exotic Marigold Hotel movies, both of which allow bloodshed hang over their heartwarming antics. Here, he likewise gets an assist on the story from Richard Curtis, the rom-com genius behind Notting Hill and Love Actually, who is as expert at making people sob as he is at making them swoon.
So action cuts back and along between the by and the present asDownton Abbey's Lily James assumes Donna's adventurous persona for extended flashbacks, turning the affair into a hybridized prequel. As Sophie preps the opening festivities -- and frets over her human relationship with her fiancee Heaven (Dominic Cooper), who has a big job offering off the island -- young Donna is meeting hot men and starting mischief. The moments in the past don't offer any farther explanation as to who Sophie'due south dad is -- or why Donna wasn't using any protection in the late '70s, for that matter -- merely they are however cheery, romantic, and not at all slut-shame-y.
A particular winner is the "Waterloo" sequence staged in a French restaurant where Harry (Hugh Skinner taking on Colin Firth's youthful counterpart) convinces Donna to spend the dark with him. (And, in plow, take his virginity.) In that location's a chorus of dancing waiters in Napoleonic garb! Later, Donna frees a horse. This particular is neither here nor there, but I call back it's worth mentioning.
Indeed, the initial Mamma Mia!did utilise up a bunch of ABBA'due south more than recognizable tunes in its narrative, which means y'all'll find a lot of the group's deeper cuts hither, similar the truly bizarre "When I Kissed The Teacher." There are some reprises of classics, however, because what would this enterprise be without the championship song and "Dancing Queen," later on all?
Dorsum in the 21st Century, Andy Garcia -- a heartthrob earlier this year inBook Gild -- smolders as the prophetic and mysterious Fernando Cienfuegos, and Cher arrives in the concluding human activity to, well, exist Cher in all her regal fabulousness. Does information technology matter that she'due south inexplicably playing Donna's mother? Nope. During the screening I attended, she got entrance applause. She deserved it.
Information technology feels weird to say, but you don't even miss Streep. In Mamma Mia! it was hard to shake that she was playing clothes up, taking a intermission from getting nominated for Oscars, and everyone else was just along for the ride. By removing her from the equation, the goofiness feels more genuine.
Merely -- spoiler alert -- she's not entirely gone. The greatest actress of her generation is also basically the real life version of Kristen Wiig'due south "don't brand me sing" Saturday Night Live grapheme. She will take every opportunity she has to belt out a number, and she did film new material, fifty-fifty with Donna shuffling off this mortal coil. It all takesMamma Mia! Here We Go Againinto dizzy, surreal territory for its big finale, which is this franchise'south sweet spot. Even simply a dollop of Streep goes a long mode.
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Esther Zuckerman is a senior entertainment writer at Thrillist. Follow her on Twitter @ezwrites.
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Source: https://www.thrillist.com/entertainment/nation/meryl-streep-mamma-mia-2-donna-dead
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